When he was three, in the early 1970s, Benjamin Anastas found himself in his mother’s fringe-therapy group in Massachusetts, a sign around his neck: Too Good to Be True. The phrase haunted him through his life, even as he found the literary acclaim he sought after his 1999 novel, An Underachiever’s Diary, had made the smart set take notice. Too Good to Be True is his deeply moving memoir of fathers and sons, crushing debt and infidelity—and the first, cautious steps taken toward piecing a life back together.
“It took a long time for me to admit I had failed,” Anastas begins. Broke, his promising literary career evaporated, he’s hounded by debt collectors as he tries to repair a life ripped apart by the spectacular implosion of his marriage, which ended when his pregnant wife left him for another man. Had it all been too good to be true? Anastas’s fierce love for his young son forces him to confront his own childhood, fraught with mental illness and divorce. His father’s disdain for money might have been in line with the ’70s zeitgeist—but what does it mean when you’re dumping change into a Coinstar machine, trying to scrounge enough to buy your son a meal? Charged with rage and despair, humor and hope, this unforgettable book is about losing one’s way and finding it again, and the redemptive power of art.
About the Author:
Benjamin Anastas is the author of two novels, An Underachiever’s Diary (1999) (hailed by Very Short List as "the funniest, most underappreciated book of the 1990s" on the occasion of its 2009 reprint) and The Faithful Narrative of a Pastor’s Disappearance (2001), a New York Times notable book, which Daniel Handler (aka Lemony Snicket) called "hands down, the best novel of the year." He’s published articles in the New York Times Magazine, Harper’s, Granta, and elsewhere, and received the 2005 Smart Family Fiction Prize from The Yale Review. He is a graduate of the Iowa Writers’ Workshop and a recipient of fellowships from the MacDowell Colony and the Lannan Foundation. He teaches creative writing at Columbia University and the Bennington Writing Seminars.