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The Structures of Love: Art and Politics beyond the Transference
Penney, James
SUNY Press / Softcover / 2013-01-01 / 1438439725
Psychoanalysis and Philosophy / Philosophy
price: $29.50 (may be subject to change)
258 pages
Not in stock - available within 4 weeks.

Reframes the terms of cultural analysis with a fresh take on transference theory in Freud and Lacan and a critical engagement with the philosophy of Alain Badiou.

Both Freud and Lacan defined the transference as the ego’s last stand—its final desperate attempt to keep the truth of the unconscious at bay. Both also viewed the transference as a social phenomenon.

In The Structures of Love James Penney argues that transference is the concept with which psychoanalysis thinks through the unconscious demands that circumscribe and can sabotage our creative initiatives in the arts and politics. Penney suggests a method of cultural analysis that enables us to identify the transformative potential of genuine artistic and political acts. He stages a dialogue between Lacan’s psychoanalysis and the philosophy of Alain Badiou; includes chapters on Frantz Fanon and Jean Genet, Chantal Akerman and Lucian Freud; and explores the aesthetic, political, and ethical consequences of the transference idea, pushing it into exciting new territory.

“[Penney] successfully challenges a formidable array of contemporary prejudices that are virtual pieties in the liberal humanities … By articulating his theory in accessible terms and applying it to cases in philosophy, postcolonial theory, cinema, and painting, Penney makes one of the strongest cases I’ve seen for the significance of psychoanalysis in work that aspires to ethical and political value. Students of cultural studies, especially those interested in the political and ethical implications of their work, would be well advised to take note.” — Molly Anne Rothenberg, New Formations

“A welcome contribution to the literature, this fine study of the psychoanalytic concept of transference explores how art and politics, as acts, can be understood for what they reveal about the workings of the unconscious mind … Highly recommended.” — CHOICE

“This is an original contribution to Lacanian scholarship. The scope of the book is impressive, dealing with postcolonial theory, film theory, art/painting, and critical theory. It introduces to Anglo-American readership, Lacan’s texts that have not been translated into English.” — Mikko Tuhkanen, coeditor of Queer Times, Queer Becomings

Contents:

Table of Contents

List of Illustrations

Acknowledgments

Preface

1. The Refusal of Love

Love in the Social
The Technique of Love
Resisting the Transference
Woman and the Riff-Raff
The Fall of the Other
From Partial Love to Anxiety

2. Socrates, Analyst

An Original Transference
Of Love Spheres and Stranded Vessels
A Pregnant Beauty
The Part of Love
Love, Ménage à Trois

3. Like a Pack of Rats

Will the Real Frantz Fanon Please Stand Up?
A Gift of Quinine
The Metropolitan View
The Pack of Rats

4. Loving the Terrorist

Massacre and Subjectivation
A Century of Violence
A Begging Bowl Made of Flesh
Of Grey Hair and Treachery

5. For the Love of Cinema

Imaginary Signifiers?
Species of Identification
Beyond the Phenomenon of Cinema
Proustian Obsession and the Failure of Spectatorship

6. Naked Love

Bodies of Theory
Painting in Nature
Nude and Naked
Tableau and Screen
Shameful Nudes
The Object of Art

Notes
Index

About the Author:

James Penney is Associate Professor of Cultural Studies at Trent University. He is the author of The World of Perversion: Psychoanalysis and the Impossible Absolute of Desire, also published by SUNY Press.

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